Originally from Belgium, I have been residing in Hong Kong for well over fifteen years. It was Hong Kong cinema that brought me here, and in many ways it is Hong Kong cinema that continues to mediate and nourish my love for the city, its history, and its culture. My academic training was solidly in Chinese studies, and I therefore also remain broadly interested in everything related to the Sinosphere.
When it comes to the study of Chinese-language cinemas, I aim to combine an awareness of the various contexts in which films are made and with which they interact, while also trying to pay respect to film as an art form. This balancing act runs through my teaching and writing: from my work on the history of crime in Hong Kong cinema, to my research on Hong Kong film censorship, social movement documentaries, and significant recent trends in the cinemas of mainland China, Hong Kong and Taiwan.
- film studies
- Hong Kong cinema
- media censorship
- social movement
- crime film
- memory and trauma
Journal Articles & Book Chapters
Van den Troost, Kristof. “Genre and Censorship: The Crime Film in Late Colonial Hong Kong.” In Renegotiating Film Genres in East Asian Cinemas and Beyond, edited by Feng Lin and James Aston, 191-216. London: Palgrave Macmillan, 2020.
Van den Troost, Kristof. “Propagandist or Objective Observer? Independent Documentaries in/on Hong Kong’s Recent Social Movements.” Asian Education and Development Studies (November 2020).
Van den Troost, Kristof. “Sword, Fist, or Gun? The 1970s Origins of Contemporary Hong Kong Noir.” In Hong Kong Neo-Noir Cinema: Capital, Urban Visuality and a Criminal Modernity, edited by Esther C.M. Yau and Tony Williams, 51-74. Edinburgh: Edinburgh University Press, 2017.
Van den Troost, Kristof. “Under Western Eyes? Colonial Bureaucracy, Surveillance and the Birth of the Hong Kong Crime Film.” In Surveillance in Asian Cinema: Under Eastern Eyes, edited by Karen Fang, 89-112. London: Routledge, 2017.
Van den Troost, Kristof. “Chinese National Allegory Goes West: Let the Bullets Fly.” Asian Cinema 27, no. 1 (2016): 13-28.
Van den Troost, Kristof. “War, Horror and Trauma: Japanese Atrocities on Chinese Screens.” In Chinese and Japanese Films on the Second World War, edited by King-fai Tam, Timothy Y. Tsu and Sandra Wilson, 54-66. New York: Routledge, 2014.
Van den Troost, Kristof. “Born in an Age of Turbulence: Emergence of the Modern Hong Kong Crime Film.” In Always in the Dark: A Study of Hong Kong Gangster Films, edited by Po Fung, 62-77. Hong Kong: Hong Kong Film Archive, 2014.
Wei Ping 魏萍 and Kristof Van den Troost. “Xianggang jilupian fazhan gaikuang” 香港纪录片发展概况 (The Development of Documentary Film in Hong Kong). In 2011 nian Zhongguo jilupian fazhan yanjiu baogao 2011年中国纪录片发展研究报告 (2011 Research Report on Chinese Documentary Film Development), edited by Zhang Tongdao 张同道 and Hu Zhifeng 胡智锋. Beijing: Kexue chubanshe, 2012.
Current Research Projects
2019, the Hong Kong Crime Film, RGC Early Career Scheme
2018, Political Censorship of Films in Pre-1997 Hong Kong: The 1988 Film Censorship Ordinance
|CHES3012||Trauma and Memory in 20th and 21st Century China|
|CHES3101||China on Screen|
|CHES5001A||Perspectives on Chinese Studies|
|CHES5002A||Chinese Studies Field trip|
|CHES5126||China on Screen|
|CHES5133||Trauma and Memory in 20th and 21st Century China|
|CHES5134||East Asian Film Genres in a Globalizing World|
|CHES5201||Independent Study Project|
|CHES6010||China Seminar I|
|CHES6020||China Seminar II|